I had a lovely time in Pittsburgh last weekend with a crowd of historians of technology. Here, the highlights of the conference from a Suzanne perspective. 140 character highlights can be found by searching the #shot09 hashtag (which was mostly me). (more…)
October 22, 2009
October 12, 2009
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I’ve been having a busy fall; you can see some of the results on the museum’s blog and some will be announced later. I’ll be making the rounds of some fall conferences, so here’s the details:
10/15 (this Thursday): I’ll be poking my head in at the Michigan Museums Association conference in Ann Arbor before heading on the road to Pittsburgh
10/15 to 10/17 In Pittsburgh for the Society for the History of Technology conference . My session is bright and early on Friday morning.
FRIDAY, OCTOBER 16
3. Web 2.0 and the History of Technology
Chair: Sheldon Hochheiser (IEEE History Center)
Commentator: Thomas J. Misa (Charles Babbage Institute)
Organizers: Michael N. Geselowitz (IEEE History Center) and Thomas J. Misa (Charles Babbage Institute)
Stephanie H. Crowe (Charles Babbage Institute): Experimenting with Web 2.0 at the Charles Babbage Institute
Suzanne Fischer (The Henry Ford): The History Museum as Communication Platform
Michael N. Geselowitz (IEEE History Center): The IEEE Global History Network
11/5 to 11/7 In St Louis for the Association of Moving Image Archivists conference. Yes, I’m clearly not a moving image archivist, but I’m excited to have been asked to speak on an awesome panel about open media and to bring lessons from public history to moving image archives colleagues.
Saturday, November 7
10:45 AM – 11:45 AM
The Problem of Open Media
Jack Brighton – Illinois Public Media
Peter Kaufman – Intelligent Television, Inc.
Rick Prelinger – Prelinger Library & Archives
Suzanne M. Fischer- The Henry Ford
Karl Fogel – QuestionCopyright.org
The term ‘Open Media’ has gained currency with the explosion of online archives. Some media collections are open for people to download, share, mashup, and reuse. Others seek to prevent their works from being copied. To the extent that there is an “open media community,” it envisions a large and active public media commons, providing global access to historical, cultural, and other materials relevant, and in many cases vital, to the public interest. Meanwhile, copyright and intellectual property laws add layers of confusion and conflicting interests, while new technologies make controlling and monetizing media problematic for all concerned. How might we solve the problem of open media? This session will address some of the obstacles and opportunities, and suggest new business models that allow content to breathe freely while still paying the rent. We’ll also discuss the role of the archivist as key to an open media future.